Spaces of Feeling features close readings of works by Virginia Woolf, James Baldwin, John Ashbery, Ralph Ellison, Marcel Proust, F. Scott Fitzgerald, Sylvia Plath, and Wallace Stevens. Figlerowicz points out that these poets and novelists often place their protagonists in domestic spaces—such as bedrooms, living rooms, and basements—in which their cognitive dependence on other ...(展开全部)

A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in "Touching Feeling" her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in th...(展开全部)

A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in "Touching Feeling", her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in t...(展开全部)

A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in "Touching Feeling", her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in t...(展开全部)

To say that someone is aware of a fact is a commonplace expression, not at all a philosopher's term of art. It is often used to criticize, excuse, admonish, and inform others. Such uses of the expression presuppose the existence of a state of awareness that one can be in or fail to be in with regard to some fact. Here lies the phenomenon of factual awareness. It is conventional...(展开全部)

To say that someone is aware of a fact is a commonplace expression, not at all a philosopher's term of art. It is often used to criticize, excuse, admonish, and inform others. Such uses of the expression presuppose the existence of a state of awareness that one can be in or fail to be in with regard to some fact. Here lies the phenomenon of factual awareness. It is conventional...(展开全部)

While scholars of East Asia have often focused on the significance of culture and Confucianism for economic growth, this book examines the affective or emotional dimension of capitalist development in the region. Here, affect is defined as felt quality that gives meaning and imagination to social, political, and economic processes, and as this work demonstrates, it can provide ...(展开全部)

While scholars of East Asia have often focused on the significance of culture and Confucianism for economic growth, this book examines the affective or emotional dimension of capitalist development in the region. Here, affect is defined as felt quality that gives meaning and imagination to social, political, and economic processes, and as this work demonstrates, it can provide ...(展开全部)

Review Relationships between affect and national identity are a crucial aspect of the critical perspectivism ushered in by contemporaneity. This book is an important contribution to knowledge of those relationships in Asian contexts. (Paul Gladston, Professor of Contemporary Visual Cultures and Critical Theory, University of Nottingham) Given the contemporary recrudescence of n...(展开全部)

'The capacity to affect and to be affected'. This simple definition opens a world of questions - by indicating an openness to the world. To affect and to be affected is to be in encounter, and to be in encounter is to have already ventured forth. Adventure: far from being enclosed in the interiority of a subject, affect concerns an immediate participation in the events of the w...(展开全部)